Keegan Michael Key and Jordan Peele from the Comedy Central sketch comedy series ‘Key & Peele’ which will air its final episode in September. Also an archived interview with Jon Stewart of The Daily show. Stewart ends his run as The Daily Show’s host next week.
Sarah Hepola once got so drunk that she gave a presentation to 300 people -- and didn't remember a thing the next day. She wrestles with her reasons for drinking in the memoir 'Blackout.' Film critic David Edelstein reviews 'The End of the Tour.'
Animal trainer Teresa Ann Miller is used to working with furry performers, but she says the Hungarian film 'White God' was especially challenging. "This wasn't necessarily a film with an animal in it," Miller tells Fresh Air's Terry Gross. "It was a dog leading the film and telling the story." Ken Tucker reviews Ashley Monroe's album 'Blade.'
In his new book, 'The Man Who Wasn't There,' Anil Ananthaswamy examines the ways people think of themselves -- and how those perceptions can be distorted by certain brain conditions. For instance, a patient with Cotard's Syndrome is utterly convinced that they are already dead, and a patient with Body Integrity Identity Disorder perceives that a body part is not their own. Also, rock historian Ed Ward shares blues musician Slim Harpo's story.
Barry Crimmins mentored Bobcat Goldthwait when they were up-and-coming comics in the '80s. 'Call Me Lucky,' directed by Goldthwait, details their relationship — and the sexual abuse Crimmins suffered as a child. Kevin Whitehead reviews a reissue from jazz flutist Sam Most.
In 'Southpaw,' Gyllenhaal plays a boxer who grew up in foster care and is struggling to be a father to his daughter. He also discusses his roles in 'Donnie Darko,' 'Nightcrawler,' and working with Heath Ledger. Director Sean Baker wanted to make a film about L.A.'s transgender sex workers, but first he needed to find someone who knew that world well. Then he met Mya Taylor, and together they made 'Tangerine.'
We remember historical fiction author E. L. Doctorow and broadcast news pioneer Marlene Sanders, who was the first woman to anchor a network TV evening newscast. Also, Lloyd Schwartz discusses the timeless appeal of the late choreographer George Balanchine. Film critic David Edelstein reviews 'Phoenix.'
Journalist Jessica Grose, linguistics professor Penny Eckert and speech pathologist Susan Sankin discuss upspeak, vocal fry and why women's voices are changing -- and whether or not that's a problem. Book critic Maureen Corrigan reviews 'Among the Ten Thousand Things.'
In 'Southpaw,' Gyllenhaal plays a boxer who grew up in foster care and is struggling to be a father to his daughter. He also discusses 'Donnie Darko,' 'Nightcrawler,' and working with Heath Ledger. Jazz critic Kevin Whitehead reviews a reissue of a Thelonious Monk box set.
Director Sean Baker wanted to make a film about L.A.'s transgender sex workers, but first he needed to find someone who knew that world well. Then he met Mya Taylor, and together they made 'Tangerine.' Also, Ken Tucker reviews 'Wildheart' by Miguel.
The acclaimed British actor talks about portraying a 93-year-old Sherlock Holmes, serving as grand marshal to New York City's gay pride march and his 'Lord of the Rings' tattoo. Rock historian Ed Ward shares soul singer Garnet Mimms' story.
Amy Schumer and Judd Apatow discuss their new romantic comedy, 'Trainwreck,' and highlights from the latest season of 'Inside Amy Schumer.' Also, Ken Tucker reviews Jason Isbell's latest album, 'Something More Than Free.' Growing up in Baltimore, African-American writer Ta-Nehisi Coates faced threats from both the streets and the police. His book, 'Between the World and Me,' is an open letter to his teenage son.
One-third of the seafood Americans catch is sold abroad, but most of the seafood we eat is imported and often of lower quality. Author Paul Greenberg explains why. Originally broadcast July 1, 2014. David Edelstein reviews 'Trainwreck.'
Amy Schumer and Judd Apatow discuss their new romantic comedy, 'Trainwreck,' and highlights from the latest season of 'Inside Amy Schumer.'
Novelist Don Winslow spent ten years researching the Mexican drug wars. His new novel, 'The Cartel,' reveals "a new generation of cartel leaders that are more violent, more sadistic" than ever before. He discusses the recent escape of drug lord El Chapo, who serves as inspiration for his main character. Also, linguist Geoff Nunberg contemplates the phrase "tell it like it is," now Chris Christie's campaign slogan.
Dr. David Casarett used to think of medical marijuana as "a joke." Then he began to look into the issue and he changed his mind. Casarett's new book is 'Stoned: A Doctor's Case for Medical Marijuana.' Also, Ken Tucker reviews Jason Isbell's latest album, 'Something More Than Free.'
Growing up in Baltimore, African-American writer Ta-Nehisi Coates faced threats from both the streets and the police. His book, 'Between the World and Me,' is an open letter to his teenage son. Also, Maureen Corrigan reviews Harper Lee's post-'Mockingbird' book, 'Go Set a Watchman,' which she calls a "troubling confusion of a novel."
The new documentary 'Amy' uses personal and archival video to tell the story of her short life. We talk to the film's director Asif Kapadia and Winehouse's former manager Nick Shymansky, who tried to get her into rehab--which later inspired her biggest hit. Fresh Air Weekend critic Justin Chang reviews 'Tangerine.' Also, David Thorpe searches for the origin of the so-called "gay voice" in his new film 'Do I Sound Gay?'
Wonder Woman's creator, William Moulton Marston, was inspired by suffragists and centerfolds. Political historian Jill Lepore explains how the comic book hero came to be in 'The Secret History of Wonder Woman.' Duke Ellington recorded two tunes engineered by Conny Plank, a few years before Plank became known for recording rock musicians like Brian Eno. That session is now on CD; jazz critic Kevin Whitehead says it’s a window onto Ellington’s working method.
For 25 years, attorney Mary Bonauto and activist Evan Wolfson helped shape the gay marriage movement. They discuss the recent Supreme Court ruling, which represented the culmination of their efforts. Also, David Edelstein reviews 'Tangerine.'
The new documentary 'Amy' uses personal and archival video to tell the story of her short life. Winehouse died at 27. We talk to the film's director Asif Kapadia and Winehouse's former manager Nick Shymansky, who tried to get her into rehab--which later inspired her biggest hit.
In his new movie, 'Do I Sound Gay?', director David Thorpe searches for the origin of the so-called "gay voice" and documents his own attempts (with speech pathologist Susan Sankin) to sound "less gay." Also John Powers reviews a documentary and a novel about the drug war in Mexico.
"Good people with the best of intentions ... can get things terribly, terribly wrong," says legal scholar Adam Benforado. His book, 'Unfair,' explores the intrinsic flaws of the American justice system -- flaws that can lead to false confessions and wrongful convictions. Book critic Maureen Corrigan shares four thrillers that will get your heart pounding. Ken Tucker reviews Kacey Musgraves' album 'Pageant Material.'
As a biracial child growing up in Philadelphia, writer Mat Johnson identified as black – but looked white. His new novel 'Loving Day' is about a man who returns to his hometown after inheriting a run-down mansion. Also TV critic David Bianculli says Jon Stewart, Larry Wilmore, John Oliver and Bill Maher are keeping news outlets honest. Rick Famuyiwa's new film 'Dope' is about a black high-school student who's into 90s hip hop and Japanese comic books. He calls the film a celebration of kids whose interests don't fit into pop-culture norms. The director talks about geekdom, the n-word, and confronting racism with comedy.
The new Pixar film 'Inside Out' illustrates the inner workings of an 11-year-old's mind. Her emotions — Sadness, Fear, Anger, Disgust and Joy — are the stars. Director Pete Docter joins us. Also, singer-songwriter Pokey LaFarge brings his guitar to the studio and plays new songs from 'Something in the Water' and some favorites from the 1920s and '30s.