Actor Jonathan Banks and writer/co-creator Peter Gould discuss 'Better Call Saul,' the prequel spin-off of 'Breaking Bad.' Ken Tucker reviews James McMurtry's album 'Complicated Game,' and America's Test Kitchen shares their tricks for more flavorful vegetarian dishes.
Songwriters Barry Mann and Cynthia Weil have been a team (and husband and wife) for more than 50 years. Terry spoke to them in 2000 when they were portrayed in the Broadway musical 'Beautiful.' Drummer Hal Blaine of 'The Wrecking Crew' was featured on thousands of records and over 40 number one hits. A new documentary tells the story of the Crew's success. David Edelstein reviews the independent horror film 'It Follows.'
Fenton Johnson says that while alone, people can "find the richest possible ways of being in the world." He's lived alone for more than 20 years. His Harper's article describes his pursuit in solitude. Maureen Corrigan reviews two memoirs. Historian Lee Jackson talks about the filth of Victorian-era London. Linguist Geoff Nunberg tells us about one Wikipedia editor who has decided to eliminate the phrase “comprised of" from thousands of entries.
Author George Hodgman talks about leaving his home in Manhattan to take care of his 91 year old mother in his hometown, Paris, Missouri. His new memoir is called 'Bettyville.' Also rock historian Ed Ward tells us the story of The Hollies.
Jack Bishop and Bridget Lancaster of America's Test Kitchen share their favorite vegetarian recipes. Also we remember documentary filmmaker Albert Maysles.
The new show's co-creator says it became a writer's room joke on 'Breaking Bad' that if something didn't fit it would go on the Saul Goodman show, or what is now AMC's 'Better Call Saul.' Ken Tucker reviews 'Complicated Game' by James McMurtry.
Fresh Air Weekend: Larry David on his new Broadway play, the creators of the web series 'High Maintenance' and writer Chris Offutt on his father, who wrote over 400 books, mostly pornography.
On March 7, 1965, marchers from Selma, Ala., attempted to cross a bridge to demonstrate in support of voting rights. Selma director Ava DuVernay, John Lewis and civil rights activist J.L. Chestnut reflect on that day.
Larry David of wrote and stars in the Broadway play, 'Fish in the Dark', about rivalries and dysfunction when a family patriarch dies. He says the idea came to his "twisted mind" when his friend's dad passed away. Jazz critic Kevin Whitehead reviews Eddie Henderson's album 'Collective Portrait,' and book critic Maureen Corrigan reviews 'The Buried Giant.'
Kim Gordon co-founded Sonic Youth with Thurston Moore. When their marriage broke up in 2011, so did the band. Gordon talks about rebuilding her life, writing her memoir, 'Girl in a Band,' and her new band Body/Head. The Vimeo web series 'High Maintenance' centers on a pot dealer who bikes around Brooklyn delivering to clients. Creators Katja Blichfeld and Ben Sinclair say they drew on their experiences and friends' generosity to make the show. Ken Tucker reviews Nora Jane Struthers' album 'Wake,' and David Bianculli checks out the Tina Fey's Netflix series 'The Unbreakable Kimmy Schmidt' and 'American Crime.'
In his new book, 'The End of College: Creating the Future of Learning and the University of Everywhere,' Kevin Carey envisions a future in which online education programs solve two of colleges' biggest problems: costs and admissions. Maureen Corrigan reviews 'Welcome to Braggsville,' and we remember 'jazz master' Orrin Keepnews.
Chris Offutt's late father went from running a small insurance agency to writing more than 400 books, mostly pornography. The writer tells Fresh Air his dad believed he would be "extremely famous" for it Also, jazz critic Kevin Whitehead reviews organist Chris Foreman's album, 'Now Is The Time.'
Larry Wilmore, the Daily Show's former "Senior Black Correspondent," talks about his new role as the host of The Nightly Show, which fills the time slot vacated by The Colbert Report. Also we'll talk to Bill Gifford. His new book is 'Spring Chicken: Stay Young Forever (Or Die Trying).' And Fresh Air tech contributor Alexis Madrigal considers the state of "the Internet of things," with a look at his new wi-fi enabled coffee maker.
Colson Whitehead's book, 'The Noble Hustle,' now out in paperback, was born of an assignment to write about the World Series of Poker. It's a sharp observational tale of poker: those who play it and how it changed him. Then we remember former Notre Dame President Rev. Theodore Hesburgh. He was an author, theologian and activist. Finally David Edelstein reviews 'Maps to the Stars.'
"Nature knows how to let animals live a very long time," says Bill Gifford, whose latest book is 'Spring Chicken: Stay Young Forever (Or Die Trying),' a look at the history of anti-aging schemes and current ways people try to live longer. David Bianculli reviews 'Battle Creek.'
Marcus Stern has spent the past year investigating the practice. Recent accidents in Canada and U.S. show that the rail cars aren't built for carrying so much oil, he says, and tracks are deteriorating. Also Ken Tucker reviews The Mavericks and tech correspondent Alexis Madrigal comments on smart home technology.
In his new memoir, Philip Connors writes about "living in the shadow of a suicide." Wracked by guilt and haunted by "what ifs," Connors investigated his brother's death and learned a terrible secret. Critic at-large John Powers reviews 'Foyle's War.'
Native American writer David Treuer talks about his family, his culture and his new novel, Prudence, about an Ojibwe reservation during World War II. Then Mark Woollen explains the process of cutting movie trailers and book critic Maureen Corrigan reviews Mr. and Mrs. Disraeli.
Fresh Air Weekend: Novelist Richard Price says that in every precinct there's one cop who just can't let go of a case. "They all reminded me of Ahab ... looking for their whales," he says. Price's latest is called 'The Whites.' Then, David Remnick looks back on tough decisions as 'The New Yorker' turns 90. Remnick, who became editor in 1998, talks about his early days at the magazine and his biggest regret: He says he'd "love to have another crack" at covering Iraq's alleged weapons of mass destruction.
Former poet laureate Philip Levine's work often reflected the hardships and dignity of manual labor. He died Feb. 14 in Fresno, Calif. He was 87. In 1991, Levine spoke with Terry Gross about his collection 'What Work Is.' Then jazz Critic Kevin Whitehead reviews 'New Vocabulary' from saxophonist Ornette Coleman. We also remember Lesley Gore, who is known for her Top 40 sensations such as 'You Don't Own Me' and 'It's My Party.' Her last album was released in 2005, the year she came out as a lesbian. She died Monday at the age of 68. Finally David Edelstein reviews 'Wild Tales.'
It has been a year of professional highs and personal lows for Larry Wilmore. He is still fine-tuning 'The Nightly Show,' which fills the late-night spot on Comedy Central vacated by Stephen Colbert. The show launched just as Wilmore's 20-year marriage was coming to an end.
Remnick, who became editor of 'The New Yorker' in 1998, talks about his early days at the magazine and his biggest regret. He says he'd "dearly love to have another crack at" covering the weapons of mass destruction.
Richard Price says that in every precinct there's one cop who just can't let go of a case. "They all reminded me of Ahab looking for their whales," he says. Price's latest is called The Whites.
The act, which turned 50 last year, ended the era of legal segregation in public accommodations, like restaurants and hotels. Author Todd Purdum talks about the battles that surrounded it. Then rock historian Ed Ward shares a story about a Wisconsin furniture company that began selling blues albums in the '20s.
Photojournalist Lynsey Addario was taken captive in 2011 while covering Libya's civil war. With a gun to her head, she says she was thinking, "Will I ever get my cameras back?" Also actor Michael Keaton says his 1989 bat suit was downright claustrophobic, but he somehow made it work. In the existential comedy, Keaton plays a washed up, insecure actor looking for a second shot at fame.